Shakespeare portrait in a Stratford-upon-Avon café (photo (c) Ulrike Boehm; all rights reserved)
The Oxford Shakespeare: The Complete Works, gen. eds. Stanley Wells and Gary Taylor (Clarendon Press, Oxford, UK, 1986/2005), pp. 681-718 – First Folio version appending major additional scenes and excerpts from the Second Quarto.
The Arden Shakespeare – Third Series: Hamlet, eds. Ann Thompson and Neil Taylor (Thomson Learning, London, UK, 2006) – based on the Second Quarto.
The Arden Shakespeare – Third Series: Hamlet, the Texts of 1603 and 1623, eds. Ann Thompson and Neil Taylor (Thomson Learning, London, UK, 2006) – First Folio and First Quarto versions.
The Folger Shakespeare Library: Hamlet, eds. Barbara A. Mowat and Paul Werstine (Washington Square Press, New York, NY, USA, 2003) – based on the Second Quarto, directly contrasting that version and the one from the First Folio.
The Pelican Shakespeare: Hamlet, eds. A. R. Braunmuller and Stephen Orgel, (Penguin Classics, London, UK 2001) – based on the Second Quarto.
The Penguin Shakespeare: Hamlet, eds. Stanley Wells, Kiernan Ryan, Terence John Bew Spence, and Alan Sinfield (Penguin Books Ltd., London, UK 2005) – based on the First Folio.
The Shakespeare Folios: Hamlet – The Tragedie Of Hamlet, Prince Of Denmarke; the First Folio of 1623 and a Parallel Modern Edition, ed., Nick De Somogyi (Theatre Communications Group, New York, N.Y., USA, 2004) – First Folio facsimile, contrasted with a modern text version.
Kenneth Branagh: Hamlet, by William Shakespeare – Screenplay, Introduction and Film Diary (W.W. Norton & Company, Inc., New York, NY, USA, 1996) – based on the First Folio text as rendered in the above-mentioned Oxford Shakespeare: The Complete Works edition, but also including all scenes and excerpts from the Second Quarto appended there.
First Quarto: University of Victoria (B.C., Canada), Internet Shakespeare Editions
Second Quarto: University of Victoria (B.C., Canada), Internet Shakespeare Editions
First Folio (facsimile, so-called "Chatsworth" copy): Online Library of Liberty (Liberty Fund, Inc.); downloadable PDF-document.
Second Quarto and First Folio in direct comparison: Enfolded Hamlet website
All five quartos in online facsimiles: British Library, "Treasures in Full" series – Shakespeare in Quarto
Saxo Grammaticus, Amleth (from the Gesta Danorum, ca. 1185): translated by Oliver Elton (David Nutt, London, UK, 1894/ Norroena Society, New York, NY, USA, 1905, republished by Kessinger Publishing, Whitefish, MT, USA, 2004); online version edited by Professor D. L. Ashliman, formerly of the University of Pittsburgh, PA, USA: http://www.pitt.edu/~dash/amleth.html.
Hamblet (1608 text), on the Web Archive/ Columbia University website: http://web.archive.org/web/20011005065540/http://www.columbia.edu/~fs10/hamblet.htm.
Hamlet Online: http://www.tk421.net/hamlet/hamlet.html
Hamlet Works: http://www.leoyan.com/global-language.com/ENFOLDED/
Hamlet Navigator: http://clicknotes.com/hamlet/index.html
Hamlet on the Ramparts (MIT Shakespeare Project, Cambridge, MA, USA): http://shea.mit.edu/ramparts/welcome.htm
Arkangel Complete Shakespeare Series: Hamlet, starring Simon Russell Beale, Jane Lapotaire, Imogene Stubbs, Bob Peck, Norman Rodway, and Paul Jesson (Viking Books, New York, NY, USA, 1999/ Audio Partners Publishing, 2004)
BBC Radio: William Shakespeare – Hamlet, starring Kenneth Branagh (Random House Audio, 1993)
Deutsche Grammophon Literatur: William Shakespeare – Hamlet, Die Gustaf Gründgens-Inszenierung aus dem Deutschen Schauspielhaus Hambrug (The Gustav Gründgens production at Deutsches Schauspielhaus, Hamburg), starring Maximilian Schell, Marianne Hoppe, Werner Hinz, Ella Büchi, Hermann Schomberg, Josef Dahmen, Eduard Marks, Ullrich Haupt, Volker Brandt, Charles Brauer, Uwe Friedrichsen, and Josef Offenbach (Deutsche Grammophon, 1963)
Naxos AudioBooks Classic Drama: William Shakespeare – Hamlet, John Gielgud's classic 1948 recording; co-starring Andrew Cruickshank, Baliol Holloway, Celia Johnson, Marian Spencer, Leon Quartermaine and Sebastian Shaw (Naxos AudioBooks, 2006)
Naxos AudioBooks: William Shakespeare – Hamlet, starring Anton Lesser, Susan Engel, Edward De Souza and Emma Fielding (Naxos AudioBooks, 1997)
NBC Theatre Guild on the Air, March 4, 1951: Hamlet – John Gielgud, costarring Pamela Brown, Dorothy McGuire, Barry Kroeger, John Merivale, and George Howe (Pavilion Recordings/ Pearl Plays & Poets, 2004)
Nicolas Abraham: The Phantom of Hamlet or the Sixth Act, preceded by the Intermission of "Truth" (in: Nicolas Abraham and Maria Torok: L'écorce et le noyeau/ The Shell and the Kernel, Flammarion, Paris, France, 1987/ University of Chicago Press, Chicago, IL, USA, 1994)
Janet Adelman: Suffocating Mothers – Fantasies of Maternal Origin in Shakespeare's Plays, "Hamlet" to "The Tempest" (Routledge, London, UK, 1992)
Anonymous: Some Remarks on the Tragedy of Hamlet, Prince of Denmark, Written by Mr. William Shakespeare (London, 1736; on behalf of the Augustan Reprint Society by Edwards Brothers, Inc., Ann Arbor, MI, USA, 1947); online version made available by Project Gutenberg.
Matthew Arnold: Preface to Poems (1853), and The Study of Poetry (Introduction to 'The English Poets,' ed., T.H. Ward, 1880); both contained in "Selections From the Prose Works of Matthew Arnold" (Houghton Mifflin, Boston, MA, USA, 1913); online version made available by Project Gutenberg.
A.C. Bradley: Shakespearean Tragedy – Lectures on Hamlet, Othello, King Lear, Macbeth (Macmillan and Co., London, UK, 1904; republished by Penguin Books, London, UK, 1991); online version made available by Project Gutenberg.
Jarka M. Burian: A New Look at a 'priceless waif' – The First Quarto of Hamlet (Biblion 1 (1968) 29-40)
James L. Calderwood: To Be and not to Be – Negation and Metadrama in Hamlet (Columbia University Press, New York, NY, USA, 1983)
Thomas Carlyle: Heroes and Hero Worship (1840; published by Wiley and Halstead, 1859, and as part of "The Complete Works of Thomas Carlyle," Dana Estes, Boston, MA, USA, 1884; republished by Kessinger Publishing, Whitefish, MT, USA, 2004); online version made available by Project Gutenberg.
Samuel Taylor Coleridge: Lectures and Notes on Shakspere and Other English Poets (Lecture, 1818; Table Talk, 1827; George Bell and Sons, London, UK, 1904; republished by Kessinger Publishing, Whitefish, MT, USA, 2005)
Hartley Coleridge: On the Character of Hamlet (Blackwood's Edinburgh Magazine, November 1828; republished as part of "Hartley Coleridge: Essays – On Parties in Poetry, and On the character of Hamlet" by Folcroft Library Editions, Folcroft, PA, USA, 1973)
Gabrielle Dane: Reading Ophelia's Madness (Pegasus Press/ Department of English, University of Florida, Gainesville, FL, USA, 1998); online version at http://www.english.ufl.edu/exemplaria/danefram.htm
T.S. Eliot: The Sacred Wood – Essays on Poetry and Criticism (Methune, London, 1920; republished by Dover Publications, Mineola, NY, USA, 1997), and The Love Song of Alfred J. Prufrock (in: "Prufrock and Other Observations," The Egoist Ltd., London, UK, 1917; republished by Kessinger Publishing, Whitefish, MT, USA, 2004); online version made available by Project Gutenberg.
Ralph Waldo Emerson: Representative Men – Shakespeare, or, the Poet (1850, republished in "Ralph Waldo Emerson: Essays and Lectures," Library of America, New York, NY, USA, 1983); online version at RWE.org (The Works of Ralph Waldo Emerson).
Johann Wolfgang von Goethe: Wilhelm Meister's Apprenticeship (Wilhelm Meisters Lehrjahre) (1795-96; Eric Blackall (transl.), Princeton University Press, 1995)
Michael Gregory: Hamlet's Voice – Aspects of Text Formation and Cohesion in a Soliloquy (Forum Linguisticum 7 (December 1982) 107-22)
Frank Harris: The Man Shakespeare and His Tragic Life Story (Frank Palmer, London, UK, 1909); online version made available by Project Gutenberg.
William Hazlitt: Lectures on the Literature of the Age of Elizabeth and Characters of Shakespear's Plays (C. H. Reynell, London, UK, 1817, republished by George Bell and Sons, London, UK, 1900 and in "Liber Amoris and Dramatic Criticisms," Peter Nevill, London, UK, 1948); online version of "Characters of Shakespear's Plays" made available by Project Gutenberg, and Lectures on the English Poets (The North American Review, vol. 8, issue 23 (March 1819)); online version also made available by Project Gutenberg.
Henry N. Hudson: Shakespeare – His Life, Art, and Characters (Boston, MA, USA, 1872; republished by Kessinger Publishing, Whitefish, MT, USA, 2006); online version of Volume 1 made available by Project Gutenberg.
Victor Hugo: William Shakespeare (1864; translated by Melville B. Anderson, first published in English by A.C. McClurg and Co., Chicago, IL, USA, 1886). Facsimile of the French original, as contained in Hugo's 1882 "Complete Works" (Oeuvres Complètes) edition, made available online as part of the Bibliotheque Nationale de France's Gallica database.
Anna Jameson: Shakspeare's Heroines – Characteristics of Women, Moral, Poetical and Historical (1832; republished by George Bell and Sons, London, 1891, Gramercy Books, New York, NY, USA, 2003, and Cosmo, New Delhi, India, 2006)
Samuel Johnson: Notes to Shakespeare, Volume III: The Tragedies (1765; republished by Oxford University Press, Oxford, UK, 1929, on behalf of the Augustan Reprint Society, University of California, Los Angeles, CA, USA, 1958, and Penguin Books, London, UK, 1989); online version made available by Project Gutenberg; and Lives of the Poets (republished by Clarendon Press, Oxford, UK, 1905).
Ernest Jones: The Oedipus-Complex as An Explanation of Hamlet's Mystery – A Study in Motive (American Journal of Psychology, Vol. 21, No. 1 (Jan., 1910), pp. 72-113); online version made available on the Hamlet Navigator website.
James Joyce: Giacomo Joyce (written 1907, first published 1968, Faber and Faber, London, UK), and Ulysses (Paris, 1922); online version made available by Project Gutenberg.
G. H. Lewes: The Life and Works of Geothe (Smith, Elder and co., London, 1864, republished by Robertson, Ashford and Bentley/Francis A. Niccolls & Co., London, UK, 1902), and The Principles of Success in Literature (1865; republished by Kessinger Publishing, Whitefish, MT, USA, 2006); online version made available by Project Gutenberg.
George MacDonald: A Dish of Orts – The Elder Hamlet (1893; republished by Kessinger Publishing, Whitefish, MT, USA, 2004); online version made available by Project Gutenberg.
W. Thomas McCary: Hamlet – A Guide to the Play (Greenwood Press, Westport, CT, USA, 1998)
Michael Pennington: Hamlet – A User's Guide (Limelight Editions, New York, NY, USA, 1996)
Fintan O'Toole: No More Heroes (Shakespeare Is Hard, But So Is Life) – A Radical Guide to Shakespearean Tragedy (Raven Arts Press, UK, 1990 and Granta Publications, London, UK, 2002)
Nicholas Rowe: Some Account of the Life of Mr. William Shakespear (The Works of Mr. William Shakespear in Six Volumes, London, 1709; reprinted on behalf of the Augustan Reprint Society by Edwards Brothers, Inc., Ann Arbor, MI, USA, 1948); online version made available by Project Gutenberg.
Helena Saville (neé Faucit), Lady Martin: On Some of Shakespeare's Female Characters (William Blackwood and Sons, Edinburgh and London, 1885; republished in David Farley-Hill, John Manning, and Johanna Procter (eds.): "The Hamlet Collection: Critical Responses to Hamlet 1600 – 1900, Volume 4, 1850-1900," AMS Press, Brooklyn, NY, USA, 2006).
August Wilhelm Schlegel: Lectures on Dramatic Art and Literature (1809, John Black (transl.); republished by Kessinger Publishing, Whitefish, MT, USA, 2004); online version made available by Project Gutenberg.
George Bernard Shaw: Preface to "The Dark Lady of the Sonnets" (1910; republished by Kessinger Publishing, Whitefish, MT, USA, 2004); online version made available by Project Gutenberg, and Postscript to "Back to Methuselah" (play 1921, postscript 1945, Oxford University Press, Oxford, UK; republished by Penguin Books, London, UK, 1988).
Edward Fordham Spence, a/k/a "E.F.S." of the Westminster Gazette: Our Stage and Its Critics (Westminster Gazette, London, 1910 and prior); online version made available by Project Gutenberg.
Lytton Strachey: Shakespeare's Final Period (The Independent Review III, August 1904; republished in "Books and Characters," London, 1922); online version made available by Project Gutenberg.
Algernon Charles Swinburne: A Study of Shakespeare (1880, republished in: "The Complete Works of Algernon Charles Swinburne," Sir Edmund Gosse, C.B. and Thomas James Wise (eds.), Volume 11/ Prose Works, Volume 1, Heinemann, London, 1926, and by Kessinger Publishing, Whitefish, MT, USA, 2006); online version made available by Project Gutenberg.
Gary Taylor: Hamlet in Africa 1607 (in: Ivo Kamps and Jyotsna Singh (eds.): Travel Knowledge – European "Discoveries" in the Early Modern Period, Macmillan, Basingstoke, UK, 2001)
Mark Twain: The Adventures of Huckleberry Finn (1884-85; republished, inter alia, in "Mark Twain: Mississippi Writings – Tom Sawyer, Life on the Mississippi, Huckleberry Finn, Pudd'nhead Wilson," The Library of America, New York, NY, USA, 1982).
Voltaire: Letters on the English or Lettres Philosophiques (1733; republished by Kessinger Publishing, Whitefish, MT, USA, 2004); online version made available by Project Gutenberg, and Dissertation sur la Tragédie (Preface to "Semiramis," 1748, contained in "Oeuvres Complètes de Voltaire. Volume IV, Garnier, Paris, France, 1877-85; Engl. translation in: John Morley (ed.): "The Works of Voltaire – A Contemporary Version," E.R. DuMont, New York, NY, USA, 1901)
Oscar Wilde: The Decay of Lying, The Critic as Artist, and The Truth of Masks (all contained in "Intentions," 1891; republished by Prometheus Books, Amherst, NY, USA); online version made available by Project Gutenberg.
HamletWorks (http://www.leoyan.com/global-language.com/enfolded/index.html): A website providing comparative criticism to the play's individual lines from several acclaimed scholarly works, including J. Payne Collier's "Notes and Emendations to Shakespeare's Plays" (1852), the Furness Variorum Edition of "Hamlet" (1877), and Edward Dowden's "Hamlet" (1899), the granddaddy of the Arden Shakespeare series.
Ralph Berry: Hamlet and the Audience – The Dynamics of a Relationship (in: Marvin and Ruth Thompson (eds.): Shakespeare and the Sense of Performance – Essays in the Tradition of Performance Criticism in Honor of Bernard Beckerma, University of Delaware Press, Newark, NJ, USA, 1989)
Rick Bowers: Cooke's Hamlet in Performance, 1785 (Dalhousie Review 82 (2002-3) 347-63)
Philip Brockbank (ed.): Players of Shakespeare – Essays in Shakespearean Performance by Twelve Players with the Royal Shakespeare Company (Cambridge University Press, Cambridge, UK, 1985)
Kathleen Campbell: Zeffirelli's Hamlet – Q1 in Performance (Shakespeare on Film Newsletter 16, no. 1 (1991) 7-8)
Maurice Charney: Asides, Soliloquies, and Offstage Speech in Hamlet – Implications for Staging (in: Marvin and Ruth Thompson (eds.): Shakespeare and the Sense of Performance – Essays in the Tradition of Performance Criticism in Honor of Bernard Beckerma, University of Delaware Press, Newark, NJ, USA, 1989)
Richard Allan Davison: The Readiness Was All – Ian Charleson and Richard Eyre's Hamlet (in: Lois Potter and Arthur F., Kinney (eds.): Shakespeare, Text and Theater – Essays in Honor of Jay L. Halio, University of Delaware Press,Newark, NJ, USA, 1999)
Anthony B. Dawson: Hamlet (Shakespeare in Performance series, Manchester University Press, Manchester, UK, 1995)
Jane de Gay: Playing (with) Shakespeare – Bryony Lavery's Ophelia and Jane Prendergast's I, Hamlet (New Theatre Quarterly 14 (1998) 125-38)
Rosamond Gilder: John Gielgud's Hamlet; a Record of Performance (Oxford University Press, Oxford, UK, 1937)
Niels Bugge Hansen: Be as Ourself in Denmark – Hamlet in Performance at Kronborg Castle, Elsinore (Angles on the English-Speaking World 10 (1997) 5-16)
Anthony J. Hassall: Fielding and Garrick's Hamlet (Studies in the Eighteenth Century 4 (1979) 147-65)
Peter Holland: Hamlet and the Art of Acting (in: James Redmond (ed.): Drama and the Actor 39-61, Cambridge University Press, Cambridge, UK, 1984)
Peter Holland: Hamlet – Text in Performance (in: Peter J. Smith and Nigel Wood (eds.): Hamlet, Open University Press, Philadelphia, PA, USA, 1996)
Bernice W. Kliman: Hamlet – Film, Television, and Audio Performance (Associated University Presses, London and Toronto, 1988)
Bernice W. Kliman: The Spiral of Influence – 'One Defect' in Hamlet (Literature/Film Quarterly 11 (1983) 159-65)
Courtney Lehmann and Lisa S. Starks: Making Mother Matter – Repression, Revision, and the Stakes of 'Reading Psychoanalysis into' Kenneth Branagh's Hamlet (Early Modern Literary Studies 6, 1 (2000) 2, 1-24)
Marvin Rosenberg: The Masks of Hamlet (University of Delaware Press, Newark, NJ, USA, 1992)
Alfred Rossi: Minneapolis Rehearsals – Tyrone Guthrie Directs "Hamlet" (University of California Press, Berkeley, CA, USA, 1970)
Charles H. Shattuck: The Hamlet of Edwin Booth (University of Illinois Press, Urbana, IL, USA, 1969)
Richard W. Schoch: "A Supplement to Public Laws" – Arthur Murphy, David Garrick, and Hamlet, with Alterations (Theatre Journal 57.1 (2005) 21-32, Johns Hopkins University Press, 2005)
Tiffany Stern: Hamlet and Performance in Early Modern London (English Review 10, no. 2 (1999) 2-5)
J. L. Styan: On Seeing Hamlet in Performance (Hamlet Studies 9 (1987) 9-20)
John Courtenay Trewin: Five and Eighty Hamlets (Hutchinson, London, UK, 1987)
Ronald Watkins and Jeremy Lemmon: In Shakespeare's Playhouse – Hamlet (David and Charles, Newton Abbot, UK, 1974)
Nigel Wheale: Culture Clustering, Gender Crossing – Hamlet Meets Globalization in Robert Lepage's Elsinore (in: Edward J. Esche (ed.): Shakespeare and His Contemporaries in Performance, Ashgate, Burlington, VT, USA, 2000)
Luke Wilson: Hamlet – Equity, Intention, Performance (Studies in the Literary Imagination 24, 2 (1991) 91-113)
For major stage and screen productions based on Shakespeare's text itself, see the page On Stage and Screen.
Richard Brautigan: The Castle of the Cormorants and The Rape of Ophelia (poems, 1970, in: "Richard Brautigan's Trout Fishing in America, The Pill versus The Springhill Mine Disaster, and In Watermelon Sugar," Houghton Mifflin, Boston, MA, USA, 1989)
Georg Britting: Lebenslauf eines dicken Mannes, der Hamlet hiess (1932; republished by Klett-Cotta Verlag, Stuttgart, Germany, 1983)
Carole Corbeil: In the Wings (Stoddart, Toronto, Ont., Canada, 1997)
Terry Deary: Twisted Tales – Shakespeare Stories as you've never read them before ..., chapter "Hamlet – The topped ten" (Scholastic Ltd., London, UK, 1998/2004)
Alfred Döblin: Hamlet oder Die langer Nacht nimmt ein Ende (Rütten & Loening, Berlin, Germany, 1956)
Kevin Thomas Duffy, Marvin E. Frankel, Stephen Gillers, Norman L. Greene, Daniel J. Kornstein, and Jeanne A. Roberts: The Elsinore Appeal – People v. Hamlet (St. Martin's Press, New York, NY, USA, 1996)
R.S. Gwynn: Horatio's Philosphy (in: "No Word of Farewell – Selected Poems 1970-2000," Story Line Press, Ashland, OR, USA, 2001)
Graham Holderness: The Prince of Denmark (University of Hertfordshire Press, Hatfield, Hertfordshire, UK, 2002)
Michael Innes: Hamlet, Revenge! (Dodd Mead, New York, NY, USA, 1937; republished by House of Stratus, Thirsk, North Yorkshire, UK, 2001)
Elias Olan James: Thieves of Mercy (Eucalyptus Press, Oakland, CA, USA, 1934)
Charles and Mary Lamb: Tales from Shakespeare (1807; republished by Puffin Books, London, UK, 1987/ 1994); online version made available by Project Gutenberg.
Percy MacKaye: The Mystery of Hamlet, King of Denmark, or What We Will (Bond Wheelwright, Freeport, ME, USA, 1950)
Edith Nesbitt: Beautiful Stories from Shakespeare (republished by The World Wide School, Seattle, WA, USA, 1998); online version made available at worldwideschool.com.
Hunter Steele: Lord Hamlet's Castle (André Deutsch, London, UK, 1987)
John Updike: Gertrude and Claudius (Alfred A. Knopf, New York, NY, USA, 2000)
John Wain: Feng (Viking Books, New York, NY, USA, 1975)
Anonymous: The Gravemakers (1672)
Paul Baker: Hamlet ESP (Dramatists Play Service, New York, NY, USA, 1970)
John Wilson Bengough, a/k/a Barnaby Rudge: Hecuba; or Hamlet's Father's Deceased Wife's Sister
(libretto for a proposed comic opera in two acts with music by G. Barton Brown, 1885)
– Unpublished and never performed.
John Wilson Bengough, a/k/a Barnaby Rudge: Puffe & Co., or Hamlet, Prince of Dry Goods
(libretto for a proposed comic opera with music by Clarence Lucas, ca. 1890); online version (PDF) made available by
Canadian Adaptations of Shakespeare.
– Unpublished and never performed.
Pierre Berton: Shakespeare Revises a Play (McClelland and Stewart, Toronto, Ont., Canada, 1962)
Jean Betts: Ophelia Thinks Harder (The Women's Play Press, Wellington, NZ, 1994)
Herbert Blau: Elsinore – An Analytic Scenario (Cream City Review 6.2 (1981) 57-99)
– Manuscript.
Lee Blessing: Fortinbras (Dramatists Play Service, New York, NY, USA, 1992)
Ona Winants Borland: The Lamentable Tragedy of Omelet and Oatmealis– in song and verse (Chicago Dramatic, Chicago, IL, USA, 1916)
Margaret Clarke (Helen M. Buss): Gertrude and Ophelia (Theatrum 33, April/May 1993, p. 1-15); online version (PDF) made available by Canadian Adaptations of Shakespeare.
Giuseppe (Pino) Costalunga: Amleto, Farsa in due atti (farce in two acts, commedia dell'arte, 2000-01)
Richard Curtis: The Skinhead Hamlet (in: Simon Brett (ed.): "The Faber Book of Parodies," Faber and Faber, London, UK, 1984)
Ashley Dukes: Return to Danes Hill – A tragic comedy in three acts (Samuel French, New York, NY, USA, 1958)
Ken Gass: Claudius (1995; published by Playwrights Press, Toronto, Ont., Canada, 1997)
William Gilbert: Rosencrantz and Guildenstern – A tragic episode in three tableaux (Samuel French, New York, NY, USA, 1891)
Robert Gurik: Hamlet, prince du Québec/ Hamlet, Prince of Quebec (1967; published by Éditions Leméac, Montreal, Qc., Canada, 1977/ Engl. version by Playwrights Press, Toronto, Ont., Canada, 1973 and Talonbooks, Vancouver, B.C., Canada, 1974)
Gerhart Hauptmann: Hamlet in Wittenberg (1935; republished by Georg Bloch Erben, Berlin, Germany)
Chris Humphries: Glimpses of the Moon (Canadian Plays Catalogue 1997-1998, Toronto, Ont., Canada, 1997)
Charles Marowitz: The Marowitz Shakespeare – The Merchant of Venice, Macbeth, Hamlet, The Taming of the Shrew, and Measure for Measure (80 minute-adaptation; Marion Boyars Publishers, London, UK, 1978)
Heiner Müller: Hamletmaschine (Prometh Verlag, Cologne, Germany, 1978; Engl. transl. contained in: Daniel Fischlin and Mark Fortier (eds.): Adaptations of Shakespeare – A Critical Anthology, Routledge, London, UK, 2000)
Neil Munro: Hamlet's Room: A Shakespearean Accommodation (Theatre Plus, 1991)
Arthur Murphy: Hamlet, with Alterations (privately circulated, 1772)
Richard Nathan: A Night in Elsinore (2000)
Richard Nathan: Ophelia's Ghost (2005)
Michael O'Brien: Mad Boy Chronicle (1995; published by Playwrights Press, Toronto, Ont., Canada, 1997)
Joseph Papp: William Shakespeare's Naked Hamlet (1967; publ. by Collier-Mac., New York, NY, USA, 1969)
Leonard Peterson: The Great Hunger (1958; publ. by The Book Society of Canada, Toronto, Ont., Canada, 1967)
John Poole: Hamlet Travestie in Three Acts. With Annotations by Dr. Johnson and Geo. Steevens, Esq. and other Commentators (J.M. Richardson, London, 1810)
Elmer Rice: Cue For Passion (1958; in: Gerald M. Bordman (ed.): American Theatre – A Chronicle of Comedy and Drama, 1930 – 1969, Oxford University Press, Oxford, UK, 1996)
Paul Rudnick: I Hate Hamlet (Dramatists Play Service, New York, NY, USA, 1991)
Gerhard Rühm: Ophelia und die Wörter (Luchterhand, Neuwied, Germany, 1972)
Jean Sarment: Le Mariage de Hamlet (Librairie de France, Paris, France, 1923)
Kim Selody: Lovers and Liars (Playwrights Press, Toronto, Ont., Canada, 1992)
Lister Shedden Sinclair: Museum of Man (1954; in: Walter Goldschmidt (ed.): Exploring the Ways of Mankind, Holt, Rinehart and Winston, Austin, TX, USA, 1971)
Tom Stoppard: Rosencrantz and Guildenstern Are Dead – play and movie (play: Faber and Faber, London, UK, 1967; movie: Brandenberg/ WNET Channel 13 New York/ Cinecom Pictures /Buena Vista Home Video, 1990)
Tom Stoppard: The Fifteen Minute Hamlet (Samuel French, New York, NY, USA, 1978)
Tom Stoppard: Dogg's Hamlet, Cahoot's Macbeth (1979; in: The Real Inspector Hound and Other Plays, Faber and Faber, London, UK, 1993)
John Cargill Thompson: Hamlet II – Prince of Jutland (monologue, 1984; diehard publishers, Callander, Scotland, 1995)
Judith Thompson: Lion in the Streets (Playwrights Press, Toronto, Ont., Canada, 1992)
Kenneth Branagh: A Midwinter's Tale/ In the Bleak Midwinter (Castle Rock Entertainment/ Midwinter Films, 1995; shooting script: Newmarket Publishing and Communications Company, New York, N.Y., USA, 1996)
Claude Chabrol: Ophélia (Boreal Film, 1963)
Danny DeVito/ Penny Marshall: Renaissance Man (Cinergi Pictures/ Parkway Pictures/ Touchstone Pictures, 1994)
Gilligan's Island: The Producer (Season 3, Episode 3, CBS 1966)
Helmut Käutner: Der Rest ist Schweigen (The Rest is Silence) (Real-Film GmbH, 1959)
Akira Kurosawa: Warui yatsu hodo yoku nemuru (The Bad Sleep Well) (Kurosawa Production Co./ Toho Company, 1960)
Ernst Lubitsch: To Be, or Not To Be (Romaine Film Corporation/ United Artists, 1942)
Monty Python's Flying Circus: Hamlet (Season 4, Episode 4, BBC 1974)
Rick Moranis and Dave Thomas: Strange Brew (MGM, 1983)
Tom Stoppard: Rosencrantz and Guildenstern Are Dead – play and movie (play: Faber and Faber, London, UK, 1967; movie: Brandenberg/ WNET Channel 13 New York/ Cinecom Pictures /Buena Vista Home Video, 1990)
Gaetano Andreozzi: Amleto (opera, libretto by Giuseppe Maria, 1792)
Samuel Arnold: Hamlet (four songs performed at Drury Lane, 1799)
Carlo Baliani: Ambleto (pasticcio, 1719)
Pascal Bentoiu: Hamlet (opera, op. 18, 1974)
Boris Blacher: Hamlet (ballet)
Johannes Brahms: Lied von Shakespeare (op. 17)
Johannes Brahms: Ophelia-Lieder (songs, WoO posth. 22, 1873)
Antonio Buzolla: Amleto (opera, libretto by Giovanni Peruzzini, 1848)
Giuseppe Carcani: Ambleto (opera, libretto by Apostolo Zeno, 1742)
Luigi Caruso: Amleto (opera, 1789)
Ernest Chausson: Chansons de Shakespeare (songs, op. 28, 1890-97)
Francesco Clerico: Amleto (ballet, 1788)
Ian Dearden (music) and Kim Bradstrup (choreography); Antic (ballet, 1993)
Hans Ulrich Engelmann: Ophelia (multi media theatre for one actor, op. 36, 1969)
Franco Faccio: Amleto (opera, libretto by Arrigo Boito, 1865)
Ravaz Gabichvadze: Hamlet (ballet, 1971)
Wenzel Robert von Gallenberg: Amleto (ballet, 1822)
Francesco Gasparini: Ambleto (opera, libretto by Apostolo Zeno, 1705)
Philip Glass: Hamlet (ballet, 2000)
Alfredo Grandi: Amleto (musical comedy, 1898)
Jean Louis Aristide Hignard: Hamlet (opera, 1888)
Rudolf Kelterborn: Ophelia (opera for five voices, 1982-83)
Edward Keurvels: Hamlet (opera, 1891)
William Linley: Shakespeare's Dramatic Songs vol. II (1815-16)
Franz Liszt: Hamlet (symphonic poem No. 10, 1858)
Galt MacDermot (music), James Rado and Gerome Ragni (lyrics): What a Piece of Work is a Man (song from the musical "Hair," 1967)
Saverio Mercadante: Amleto (opera, 1822)
Sergei Prokofiev: Hamlet (incidental music, op. 77, 1937-38)
Roger Quilter: Four Shakespeare Songs (op. 30, 1933)
Humphrey Searle: Hamlet (opera in three acts, libretto by the composer, 1968)
Alexandre Stadtfeld: Hamlet (opera, 1857)
Richard Strauss: Lied der Ophelia (songs, op. 67, 1918)
Arthur Sullivan (Gilbert and Sullivan): Rosencrantz and Guildenstern (musical, 1874)
Sandor Szokolay: Hamlet (opera, 1968)
Piotr Ilich Tchaikovsky: Hamlet (symphonic poem, op. 67, 1888)
Ambroise Thomas: Hamlet (opera in five acts, libretto by Jules Barbier and Michel Carré, 1868)
Michael Tippett and John Neumeier: Hamlet (ballet, 1997)
Mario Zafred: Amleto (opera, libretto by Lilyan and Mario Zafred, 1961)
Peter Ackroyd: Shakespeare – the Biography (Chatto & Windus, London, UK, 2005)
Bill Bryson: Shakespeare – the World as a Stage (HarperCollins Publishers, Inc., New York, NY, USA, 2007)
Anthony Burgess: Shakespeare (Jonathan Cape, London, UK, 1970)
Stephen Greenblatt: Will in the World – How Shakespeare Became Shakespeare (Jonathan Cape, London, UK, 2004)
F.E. Halliday: Shakespeare (Thames and Hudson, London, UK, 1956/1998)
Hildegard Hammerschmidt-Hummel: William Shakespeare – Seine Zeit/ sein Leben/ sein Werk [The Life and Times of William Shakespeare 1564 – 1616] (Verlag Philipp von Zabern, Mainz, Germany, 2003/ Chaucer Press, London, UK, 2006)
Anthony Holden: William Shakespeare – His Life and Work (Little, Brown and Company, London, UK, 1999)
Park Honan: Shakespeare – A Life (Oxford University Press, Oxford, UK, 1999)
Samuel Schoenbaum: William Shakespeare – A Documentary Life (Oxford University Press, Oxford, UK, 1975)
James Shapiro: 1599 – A Year in the Life of William Shakespeare (Faber and Faber Ltd., London, UK, 2005)
Stanley Wells: Shakespeare – For All Time (Macmillan, London, UK, 2002)
Stanley Wells: Coffee With Shakespeare (Duncan Baird, London, UK, 2008)
Jane Armstrong (ed.): The Arden Dictionary of Shakespeare Quotations (Arden Shakespeare, Thomas Nelson and Sons Ltd./ Thomason Learning, London, UK, 1999/ 2004)
Isaac Asimov: Asimov's Guide to Shakespeare (Doubleday, New York, NY, USA, 1970, and Gramercy Books, New York, NY, USA, 2003)
John Barton: Playing Shakespeare – An Actor's Guide (Methuen, London, UK, 1984)
David M. Bevington: Shakespeare – The Seven Ages of Human Experience (Blackwell Publishers, Oxford, UK, 2002)
Harold Bloom: Shakespeare – The Invention of the Human (Riverhead Books, New York, NY, USA, 1998)
Lynda F. Boose and Richard Burt: Shakespeare, the Movie – popularizing the plays on film, TV, and video (Routledge, London, UK, 1997/ 2003)
Michael Bristol and Kathleen McLusky (eds.): Shakespeare and Modern Theatre (Routledge, London, UK, 2001)
Victor L. Cahn: The Plays of Shakespeare – A Thematic Guide (Greenwood Press, Westport, CT, USA, 2001)
Dympna Callaghan (ed.): A Feminist Companion to Shakespeare (Blackwell Publishers, Oxford, UK, 2000)
Michael Dobson and Stanley Wells (gen. eds.): The Oxford Companion to Shakespeare (Oxford University Press, Oxford, UK, 2001/2005)
Lesley Dunton Downer and Alan Riding: Essential Shakespeare Handbook (DK Books, 2004)
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Robert Thomas Fallon: A Theatergoer's Guide to Shakespeare (Ivan R. Dee, Chicago, IL, USA, 2001)
Marjorie Garber: Shakespeare After All (Pantheon, 2004)
Margreta de Grazia and Stanley Wells (eds.): The Cambridge Companion to Shakespeare (Cambridge University Press, Cambridge, UK, 2001)
Diana E. Henderson (ed.): A Concise Companion to Shakespeare on Screen (Blackwell Publishers, Oxford, UK, 2006)
Jean Howard and Richard Dutton (eds.): A Companion to Shakespeare's Works – The Tragedies (Blackwell Publishers, Oxford, UK, 2003)
Russell Jackson (ed.): The Cambridge Companion to Shakespeare on Film (Cambridge University Press, Cambridge, UK, 2000)
David Scott Kastan: A Companion to Shakespeare (Blackwell Publishers, Oxford, UK, 1999)
David Scott Kastan: Shakespeare and the Book (Cambridge University Press, Cambridge, UK, 2001)
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David Lindley: Shakespeare and Music (Arden Shakespeare, Thomas Nelson and Sons Ltd./ Thomason Learning, London, UK, 2005)
Kristin Linklater: Freeing Shakespeare's Voice: The Actor's Guide to Talking the Text (Theatre Communications Group, New York, NY, USA, 1992)
Michael LoMonico: Shakespeare 101 (Gramercy Books, New York, NY, USA, 2001)
Louise McConnell: Exit, Pursued by a Bear – An A-Z Guide to Shakespeare's Plays, Poems and Stagecraft (Bloomsbury Reference, 2004)
Russ McDonald: The Bedford Companion to Shakespeare (Palgrave McMillan, New York, NY, USA, 1996/ 2001)
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Emma Smith (ed.): Shakespeare's Tragedies – A Guide to Criticism (Blackwell Publishers, Oxford, UK, 2004)
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Stanley Wells and Sarah Stanton (eds.): The Cambridge Companion to Shakespeare on Stage (Cambridge University Press, Cambridge, UK, 2002)
William B. Worthen, Barbara Hodgdon (eds.): A Companion to Shakespeare and Performance (Blackwell Publishers, Oxford, UK, 2005)
G. Blakemore Evans: Elizabethan Jacobean Drama – The Theatre in Its Time (New Amsterdam Books, New York, NY, 1990)
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Judith Cook: Roaring Boys – Shakespeare's Rat Pack (Sutton Publishing Ltd., Gloucestershire, UK, 2004)
Andrew Gurr: The Shakespearean Stage, 1574-1642 (Cambridge University Press, Cambridge, UK, 1992)
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John Guy: The Reign of Elizabeth I – Court and Culture in the Last Decade, chapter "The theatre and the Court in the 1590s" (Cambridge University Press, Cambridge, UK, 1995)
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Louis Montrose: The Purpose of Playing – Shakespeare and the Cultural Politics of the Elizabethan Theatre (University of Chicago Press, Chicago, IL, USA, 1996)
Charles Nicholl: Shakespeare and His Contemporaries (National Portrait Gallery Publications, London, UK, 2005)
Tanya Pollard (ed.): Shakespeare's Theatre – A Sourcebook (Blackwell Publishers, Oxford, UK, 2004)
Peter Thomson: Shakespeare's Theatre (Routledge & Kegan Paul, London, UK, 1983)
Stanley Wells: Shakespeare & Co. – Christopher Marlowe, Thomas Dekker, Ben Jonson, Thomas Middleton, John Fletcher, and the Other Players in His Story (Allen Lane, London, UK, 2006)
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Lawrence Edwin Durning: Bacon is Shakespeare (1910, republished by Kessinger Publishing, Whitefish, MT, USA, 2004)
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Hildegard Hammerschmidt-Hummel: Die authentischen Gesichtszüge William Shakespeares/ The True Face of William Shakespeare (Georg Olms Verlag AG, Hildesheim, Germany/ Chaucer Press, London, UK, 2006)
Andrew Lang: Shakespeare, Bacon, and the Great Unknown (1912; republished by BiblioBazaar, Lititz, PA, USA, 2006)
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Blake Leyerle: Theatrical Shows and Ascetic Lives – John Chrysostom's Attack on Spiritual Marriage (University of California Press, Berkeley, CA, USA, 2001)
Margaret M. Mitchell: The Heavenly Trumpet – John Chrysostom and the Art of Pauline Interpretation (J.C.B. Mohr (Paul Siebeck), Tübingen, Germany, 2000/ Westminster/ John Knox Press, Louisville, KY, USA, 2002)
J.N.D. Kelly: Jerome – His Life, Writings, and Controversies (Harper & Row, New York, NY, USA, 1975)
Stefan Rebenich: Early Church Fathers – Jerome (Routledge, London, UK, 2001)
Neil B. McLynn: Ambrose of Milan – Church and Court in a Christian Capital (University of California Press, Berkeley, CA, USA, 1994)
Boniface Ramsey O.P.: Early Church Fathers – Ambrose (Routledge, London, UK, 1997)
Peter Brown: Augustine of Hippo (Hippocrene Books 1987/ University of California Press, Berkeley, CA, USA, 2000)
Christopher Kirwan: The Arguments of the Philosophers – Augustine (Routledge, London, UK, 1989)
Gareth B. Matthews: Great Minds – Augustine (Blackwell Publishers, Oxford, UK, 2005)
James J. O'Donnell: Augustine – A New Biography (HarperCollins Publishers, New York, NY, USA, 2005)
Eleonore Stump and Norman Kretzmann (eds.): The Cambridge Companion to Augustine (Cambridge University Press, Cambridge, UK, 2001)
Gary Wills: Penguin Lives Biographies – Saint Augustine (Viking Books, New York, NY, USA, 1999)
Robert Austin Markus: Gregory the Great and His World (Cambridge University Press, Cambridge, UK, 1997)
John Moorhead: Early Church Fathers – Gregory the Great (Routledge, London, UK, 2001)
Gillian R. Evans: Great Medieval Thinkers – Bernard of Clairvaux (Oxford University Press, Oxford, UK, 2000)
James Cotter Morrison: The Life and Times of Saint Bernard, Abbot of Clairvaux, A.D. 1091-1153 (Macmillan, London, UK, 1884; republished by Kessinger Publishing, Whitefish, MT, USA, 2004, and in facsimile by Elibron Classics/ Adamant Media Corp., 2005)
Christopher M. Cullen: Great Medieval Thinkers – Bonaventure (Oxford University Press, Oxford, UK, 2006)
Marie-Dominique Chenu: St. Thomas d'Aquin et la théologie/ Aquinas and His Role in Theology (Les Éditions du Soleil, 1959; Engl. ed. published by Michael Glazier/ Liturgical Press, Collegeville, MN, USA, 2002)
G. K. Chesterton: St. Thomas Aquinas (Sheed & Ward, New York, NY, USA, 1923; republished by House of Stratus, 2001, and Ignatius Press, San Francisco, CA, USA, 1986/ 2002)
Brian Davies, O.P.: The Thought of Thomas Aquinas (Oxford University Press, Oxford, UK, 1992)
Nicholas M. Healy: Thomas Aquinas – Theologian of the Christian Life (Ashgate Publishing, Aldershot, UK, 2003)
Norman Kretzmann and Eleonore Stump (eds.): The Cambridge Companion to Aquinas (Cambridge University Press, Cambridge, UK, 1993)
Rik Van Nieuwenhove and Joseph Wawrykow (eds.): The Theology Of Thomas Aquinas (University of Notre Dame, Notre Dame, IN, USA, 2005)
Josef Pieper: Hinführung zu Thomas von Aquin/ Guide to Thomas Aquinas (Kösel Verlag, Munich, Germany, 1986/ Ignatius Press, San Francisco, CA, USA, 1962/ 1991)
Roland H. Bainton: Here I Stand – A Life of Martin Luther (Pierce and Smith, 1950/ Meridian, London, UK, 1995)
Bernhardt Lohse: Luthers Theologie in ihrer historischen Entwicklung und in ihrem systematischen Zusammenhang/ Martin Luther's Theology – Its Historical and Systematic Development (Vandenhoeck & Ruprecht, Germany, 1995/ Augsburg Fortress Publishers, 1999)
Timothy F. Lull (ed.): Martin Luther's Basic Theological Writings (Augsburg Fortress Publishers, 1989)
Martin E. Marty: Penguin Lives Biographies – Martin Luther (Viking Books, New York, NY, USA, 2004)
Donald K. McKim (ed.): The Cambridge Companion to Martin Luther (Cambridge University Press, Cambridge, UK, 2003)
Stephen J. Nichols: Martin Luther – A Guided Tour of His Life and Thought (P & R Publishing, London, UK, 2003)
Heiko A. Oberman: Luther – Mensch zwischen Gott und Teufel/ Luther – Man Between God and the Devil (Severin und Seidler Verlag, Berlin, Germany, 1982; Engl. ed. published by Yale University Press, New Haven, CT, USA, 1990, and Image Books/ Doubleday, New York, NY, USA, 1992)
Karl Barth: Die Theologie Calvins/ The Theology of John Calvin (Theologischer Verlag Zürich, Switzerland, 1922/ Engl. ed. Wm. B. Eerdmans Publishing Co., London, UK, 1995)
Theodore Beza: The Life of John Calvin (1836; republished with a new translation by Evangelical Press, 2005)
Timothy George (ed.): John Calvin and the Church – A Prism of Reform (Westminster/ John Knox Press, Louisville, KY, USA, 1990)
Donald K. McKim (ed.): The Cambridge Companion to John Calvin (Cambridge University Press, Cambridge, UK, 2004)
Alister E. McGrath: A Life of John Calvin – A Study in the Shaping of Western Culture (Blackwell Publishers, Oxford, UK, 1990)
Thomas Henry Louis Parker: Calvin – An Introduction to His Thought (Westminster/ John Knox Press, Louisville, KY, USA, 1995)
New Advent: "http://www.newadvent.org/
Fordham University (New York, NY, USA), Internet Medieval Sourcebook: http://www.fordham.edu/halsall/sbook.html
Fordham University (New York, NY, USA), Modern History Sourcebook: http://www.fordham.edu/halsall/mod/modsbook.html
Wheaton College, Christian Classics Ethereal Library (CCEL): http://www.ccel.org/index/author-A.html
Pope (St.) Gregory I, Moralia in Iob – draft translation by James O'Donnell (Georgetown University and University of Pennsylvania):
http://www.georgetown.edu/faculty/jod/gregory.html
Heinrich Kramer and Jakob Sprenger, Malleus Maleficarum – 1928 translation by the Reverend Montague Summers: http://www.malleusmaleficarum.org/index.html
Copyright 2002 – 2009: Ulrike Böhm, all rights reserved.